Sunday, December 04, 2016

The Drawing Year - end of year exhibition

...otherwise known as the The Drawing Year 2015—16 Postgraduate Programme end of year exhibition is now on
at: the Royal Drawing School Shoreditch
until: Tuesday 17 January 2017 (Monday to Friday 9am—9pm)

It opened on Friday and includes over 300 works by the MA level postgraduate students.

It's always worth taking note of what The Drawing Year students are up to as many of them go on to feature prominently in the "selected artists" lists I post on this blog in relation to prestigious national art competitions from time to time - and some of them win the big prizes!

The Best of The Drawing Year
Drawings by Matthew Booker, Emma Inge and Eleanor Watson
It's also a good indication of the nature of contemporary drawing - the nature of which might surprise those who favour the photorealistic version of drawing.

The Drawing Year


The Drawing Year is a one year postgraduate level course run by The Royal Drawing School founded by HRH Prince of Wales (and previously known as the Princes Drawing School).
The place to learn to draw. Drawing is a primary language. It is a crucial route to innovation across the creative disciplines and beyond, from fashion, fine art and animation to filmmaking, product design and engineering.
Important features of the Drawing Year are:
  • post-graduate MA level 
  • full-time
  • bursary/scholarship approach i.e. no fees
  • free studio space
  • one year - three terms of 10 weeks each
  • Students are expected to attend:
    • a minimum of two taught full days a week at classes
    • Wednesday evening forum, lecture series and 
    • personal studio practice days.
The Drawing Year is a full scholarship MA-level course offering up to thirty students the opportunity to focus on drawing from observation for one academic year. There are no tuition fees for The Drawing Year – all students are awarded a full scholarship and receive a free studio space.
Find out below how to learn more about the course and how to apply for a place.

The Drawing Year postgraduates 


Those taking part in this exhibition are as follows.

I was rather surprised at the extent to which students didn't have websites and/or have done little to make themselves easily found on Google.
  • Euphrosyne Andrews
  • Daniel Blumberg
  • Matthew Booker, 
  • India Boxall, 
  • Becky Brewis Becky graduated from Oxford University of Oxford in 2010 with a degree in English (2.1) and then spent a delayed postgraduate year at the Royal Drawing School doing The Drawing Year (MA-level bursary) September 2015-December 2016 (Twitter)
  • Grace Exley Prior to the Royal Drawing School, she studied at the Ruskin School of Art in Oxford. This is a podcast about her drawings.
  • Oscar Farmer
  • Aisha Farr - studied English and Ancient Greek at the University of St Andrews and UCL prior to The Drawing Year.
  • Holly Froy
  • Shanti-Om Gorton - graduated from Brighton University with a BA Fine Art Painting
  • Thomas Harrison - While a student on the Drawing Year, Tom Harrison had a drawing of a view from a flat selected for the Jerwood Drawing Prize 2015. He then went on to win the £8,000 First Prize.  This is a blog post about that achievement - Below are two more views of the view of scaffolding from a flat.

Friday, December 02, 2016

The only English painter of 'Loving Vincent'

Sarah Wimperis is the only English painter on the painting team who have created Loving Vincent - the world's first fully-painted feature film which brings to life the paintings and subjects of Vincent van Gogh - and Vincent himself.

Some 100+ members of the team have been painting 62,450 frames in oil paint - in the style of Vincent Van Gogh - over the last six years

The makers of the film claim that if all the paintings were laid on the ground they'd cover an area the size of London AND Manhattan!

Sarah is based in Cornwall and works full time as a professional artist and illustrator. She is represented by the Beside the Wave Gallery in Falmouth.

She signed on for a job in Poland which sounded intriguing and unique and which she thought would take five weeks. In the end it turned out that she was involved for five months during 2016.

The BBC recently made a film about the process used to create the film and their correspondent went to meet Sarah in Gdansk where the film was made.  

The BBC finds Sarah Wimperis at work on a painting for Loving Vincent
This short video is very much recommended viewing - the process (as explained by sarah) is absolutely fascinating.


You can also see on the website:

Thursday, December 01, 2016

Deanna Petherbridge on Drawing

Ten years ago, I went to a series of lectures by Deanna Petherbridge called Drawing towards Enquiry at the National Gallery in London in 2006. She is the only person I know who has been both Professor of Drawing at the Royal College of Art and the Arnolfini Professor of Drawing at both the University of the West of England, Bristol  and the University of London.

Tomorrow a new exhibition of her work Deanna Petherbridge opens to the public at the Whitworth Art Gallery in Manchester (which is one I'm fond of as I used to pass it every day on my way home from school).  Dates are 2 December 2016 – 4 June 2017
Travelling extensively through Europe, India, the Middle East and Far East, her detailed monochrome drawings are inspired by diverse landscapes, cities and cultures: from mathematical patterns of Islamic design, to rustic Umbrian dwellings and Manchester’s industrial cast-iron structures. Detailed geometric studies or free inventions in brush and wash, her distinctive works deal with the impact of colonialism, industrialisation and warfare. Her passionate condemnation of present conflicts is expressed in the 2016 triptych 'The Destruction of the City of Homs'.
Cover of
Deanna Petherbridge: Drawing and Dialogue
A new book about drawing Deanna Petherbridge: Drawing and Dialogue has also been published by Circa Press and the launch is this evening.

Previously she has published
Her academic credentials are impressive:
  • 1995 to 2001 - Professor of Drawing at the Royal College of Art from where she launched the Centre for Drawing Research, the first doctoral programme in drawing in the UK and ran an extensive course of drawing workshops and open lectures for the whole college.
  • 2002 to 2006 - Arnolfini Professor of Drawing at the University of the West of England, Bristol
  • 2007 to 2009 - two year Research Professorship at the University of Lincoln 
  • 2009 to 2012 - Visiting Professor of Drawing at the University of the Arts London. 
Deanna Petherbridge CBE is an artist, writer and curator primarily concerned with drawing. (Her profile on her website)
Deanna Petherbridge in her Drawing Studio
This is a video about Deanna Petherbridge talking about Drawing. She's very articulate and intense and you need to concentrate to follow what she is saying. It's fascinating to hear her talking again ten years after I first heard her talking about drawing.



The Drawing towards Enquiry. Enquiry towards Drawing lectures in 2006 covered
  • The Poetics of Line
  • Expressive Bodies and Personal Identities
  • Playing with the Provisional: Sketching in Art & Design Practice - see my review Playing with the Provisional
  • Caricature, Crassness and Cruelty - see my review Crassness and Cruelty
  • Obsessive Drawing
  • Mickey Mouse and Manga: Drawing and Popular Culture.

Tuesday, November 22, 2016

ING Discerning Eye 2016 - award winners and review

A total of 727 works - including paintings, prints, sculptures, drawings and photographs - by 405 artists are on show at the ING Discerning Eye exhibition from 17 - 27 November 2016 at the Mall Galleries in London.
The ING Discerning Eye Exhibition is a show of small works independently selected by six prominent figures from the art world: two artists, two collectors and two critics. 
Each of the selectors has curated an exhibition from works by artists they have personally invited to exhibit, as well as artworks submitted through the Open Call for Entries. The result is six smaller exhibitions within one, each with a very distinct personality.

The unique nature of the ING Discerning Eye is that the exhibition looks very different every year - because both selectors and the way they like to hang their chosen works varies each year.

Unfortunately my osteoarthritis was playing up yet again (it's the timing - wet November evenings are never good for mobility!) and so I missed a lot of the Artists PV last Thursday - and went home before the prizes were announced as I can't stand without sitting for any length of time. However thanks are due to Parker Harris who let me photograph in the period between the end of the exhibition for that day and the opening of the PV. Which means I have photos which actually show you what the exhibition looks like rather than a lot of people's heads with paintings peeping out behind the heads!

This post will highlight:
  • something about each of the six mini exhibitions in the galleries
  • artwork I liked
  • who won which prize (and which curator chose the work!)
I'm going to do something I've not done before which is order the prizes by the selector who invited or picked the work. The link in the
  • name of the artist is to their website (or a gallery website) - where you can see more of their work
  • title is to the work on the ING Discerning Eye website.

Artist: Dan Coombs


artist and writer, currently visiting professor at Haute École d’art et de design in Geneva, 

An eclectic choice by Dan Coombs
I wasn't too sure about Dan Coombs wall to start with. It looked a lot more eclectic than most I've seen at the Discerning Eye before and without any obvious rhyme nor reason.  Some of the juxtapositions seemed very odd.

Louisa Crispin had to bend at the knee in order for me to get a photo of her
Decaying Eringium without it being swamped by the painting above!
Then I learned the story behind it.

Dan Coombs's approach to curating the exhibition:
  • he invited 60 individual artists to each select one work to submit to the exhibition - however he has no knowledge of what was arriving until he came to hang the exhibition.
  • He selected a further 78 works from the open entry and created what is possibly the biggest ever exhibition in the history of the ING Discerning Eye.
When it came to the hang he started with the orange in the middle and then connected paintings from there and worked out across the wall.

When I looked at his wall again with this in mind it made complete sense!

It makes me wonder whether each of the exhibitions should have a short narrative by the curator next to them commenting on how they selected works and hung them. I think visitors would find it very interesting.

Prizewinners

Surge Tide, Saligo Bay (£1,750) by Chris Bushe


Artist: Chris Orr RA


Royal Academician Chris Orr RA.

He commented on the process of selection.

Sunday, November 20, 2016

R.I.P Andy Wood PRI, RBA (1947 - 2016)

I'm very sad to report that Andy Wood PRI RBA died yesterday morning. He had been seriously ill with cancer and I've been expecting this very sad news for a little while.

Andy Wood, President of the Royal Institute of Painters in Water Colours
(photographed in 2014 following his appointment by Ted Sepple).
His daughter reported his death on Facebook yesterday
Sadly papa wood lost his fight with cancer earlier today, in the arms of his one true love. There's no words to express the pain and emptiness we're all feeling right now, shocked, heartbroken and speechless.
It was a great honour and privilege having him as a dad, I don't need express how much a legend this man was, as everyone knows.
Rest in peace father, see you again another day. As you'd always say 'Laters'
Some of the comments by fellow members of the RI give a very clear sense of the extent to which he will be missed by his fellow watercolour artists.
The world has lost someone special. I will miss him so much. Rosa Sepple Acting President RI

It was such a privilege to work with Andy...and just to know him. Sandra Walker RI

I loved every minute of the RI working with Andy and enjoying his company - he will be so missed by us all Lilias August RI

Some people come into your life and touch it in a very special way. Andy was one of those people and we will miss him terribly. David Parfitt RI

Andy Wood - a life in art


A timeline


  • 1947: Andy was born in Porlock in Somerset and was later brought up in Surrey. 
  • 1965/67 Croydon College of Art, Croydon, Surrey
  • 1967/70 Newport College of Art, Newport (Casnewydd-ar-Wysg), Monmouthshire (Sir Fynwy) - His degree was in Fine Art (Painting) and Film 
  • Andy didn't go straight into art after graduating. Instead he had many different jobs before settling down in one place and painting. These included: starting out as an assistant school caretaker; stage electrician at the London Palladium; designing posters and programmes for pop concerts while living in Snowdonia, North Wales; building a children's arts centre, teaching arts and crafts; working with a "Theatre in Education" drama group in Sussex. After which he moved back to London where he ran an arts centre and worked on adventure playgrounds in Hammersmith.
  • 1976: PGCE at Maria Grey College of Further Education (a teacher training college) in Twickenham
  • 1977: Moved to Charmouth in Dorset and began painting full time (and just to joined the Dorset Fire & Rescue Service as a Retained Firefighter and continued in the fire service until 2002.
  • 1989 - 1992 - He was an artist in residence in Dorset and Devon on three occasions - at
    the Honiton Festival and Devon Opera in Devon and at the Woodroffe School, Lyme Regis in Dorset.
  • 1996 He opened the Andy Wood Gallery in Lyme Regis. This showed his paintings and prints as well as the work of other artists and friends.  During this time he was also President of Lyme Regis Art Group for three years.
  • 2002: Andy closed the gallery and moved with his family to Rye in Kent

  • 2007-2009 - Served on the RI Council
  • 2009: Andy was elected Hon. Secretary of the Royal Institute of Painters in Water Colours. I think this round about the time I began to get to know Andy better. We often had a discussion in the Mall Galleries about how the RI might change and move forward.
  • 2013 and 2014: Judge of the Shenzhen International Watercolor Biennial in 2013 in China (Facebook Page) reviewing 2,825 entries from 54 countries (2013) and 2,825 entries from 1,700 artists (2014)
  • 2014: Andy became the 15th President of the Royal Institute of Painters in Water Colours. He started using the suffix PRI after his name and also became an honorary member of Royal Watercolour Society.  I remember he was a very proud wearer of his chain of office and performed his formal duties with professionalism and aplomb.

Andy Wood PRI presents Deborah Walker with her Turner Medal (2015)
  • 2015 Trustee of British Institution Fund 
  • 2015 Governor and Trustee of Federation of British Artists
  • 2015 Judge - Watercolor Salon II, Thessaloniki, Greece
This is his more detailed C.V.

Andy's art was international


His work was international - in terms of what he painted, where he exhibited and where his art collectors lived. His work featured in numerous exhibitions in England, France, Belgium, Switzerland, Canada and the United States of America.

His paintings are alsoin the collections of His Majesty the Sultan of Oman, the Central Carolina Bank, the Chelsea Arts Club, the Lyme Regis Museum and Duke University.

He's also one of a very few painters in watercolour to have broken into and become acclaimed within the Chinese watercolour painting community. Last year Andy was one of the judges of the Shenzhen International Watercolor Biennial in 2013 (Facebook Page)

His paintings have also featured in articles in several publications including: ‘Artists and Illustrators’, ‘Leisure Painter’, ‘Watercolor Artist’, ‘Pratique des Arts’ (France), Art'issime (Canada), and L'Aquarelliste (Canada)

Andy also wrote about painting and being an artist on his blog Andy Wood - Picture This

Here are some of the paintings by Andy which have featured on my blog over the years. I liked both his talent for design and also his handling of colour, tone and brushwork.  He was a really good watercolour artist.

Winner of the Winsor & Newton Prize (2012)
Paintings by Andy Wood
Watercolour Paintings by Andy Wood PRI (2014)
Plus a comment about his paintings of snow (2011).
Andy Wood RI RBA's paintings of snow. From a distance they look photographic but get up close and they are very clearly paintings. Immaculate handling of tonalities and subtle colour changes and terrific attention to the colour of "cold". You can see a couple of them on the home page of his website.



The last time I saw Andy was at the Annual Exhibition in April of this year when he was as ebullient as ever.  Below is a picture of Andy conducting the President's Tour of the annual exhibition.

Andy Wood doing the President's Tour of the 2016 Annual Exhibition of the
 Royal Institute of Painters in Water Colours

He talked to me about one of his paintings in the exhibition. It's called Last Chance. You can read the story of the painting on his blog in a post called Route 66 and all that
The bridge in this painting is the Lindsay C Warren Bridge across Alligator River heading out on Route 64 towards Nags Head. I was driving along with the cruise control set at 60mph - the speed limit was 55 but nobody stuck to that and the only time I was pulled over the highway police just passed the time of day asking dumb, dumber and even dumber questions just so they could listen to my 'British accent' – I was driving along, listening to the radio, minding my own business and wondering when the next gas station would be when a Rickie Lee Jones song came on the radio - “Last Chance Texaco” - and the gas station in the painting appeared in the distance. There was no thinking involved – I had to paint it.
Last Chance by Andy Wood (RI Annual Exhibition 2016)

I will truly miss Andy. He was one of life's gentlemen (in both senses of the word) - and an excellent watercolour artist whose paintings I will also miss very much.
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